CATEGORY: SOCIOLOGY(8 min)
You might be surprised to hear how much medieval penitents and modern progressives have in common.
According to the “Notes and Comments” section of The New Criterion, the grim performance of self-flagellation is sweeping through elite institutions, as they lament their entrenched racism and insufficient commitment to social justice.
For example, a student-run ballet program at Princeton vows to “decolonize the practice of ballet,” that “imperialist, colonialist, and white supremacist art form” . . .
. . . while museum curators promise “ethical cataloguing work” that will stamp out any residual hurtfulness in language or representation.
You need to read this fascinating theory about the relationship between repentance in the classical sense, and the new, dehumanizing form the left uses today.
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